March 2.2023
When Beau Dixon came to town, I had to go and see him at the Meridian Theater in Ottawa. The ninety-minute show promised Beau’s music, blues, rock, and soul, my favorites. I must have gotten one of the last tickets on the balcony in the last row. But I did not complain; the back row has good acoustics and Beau’s music is loud.
It is Black History Month and Beau had a scripted, fast-moving show displaying black music at its best, playing songs from Bob Marley, Marvin Gaye, Stevie Wonder, and others. I came to listen to and enjoy my favorite type of music and ended up learning about the contribution of black music to North American culture.
Beau showed his multi-talented musical genius by playing the harmonica, and keyboard and singing. It was a tour de force and brought back fond memories.
My first job after finishing graduate school at the University of North Carolina was in Norfolk, VA, and I just had to build a stereo system to listen to my music. I still remember the high-quality Harman-Kardon component system, that I built. Testing the system, I played my favorite pianist, Oscar Peterson, at full blast when there was a banging on the door of our rented apartment. Scared that management might throw us out for being too loud, I cautiously opened the door to discover a black pastor. I turned the volume down and asked him to come in. Before explaining that he was looking for donations for his church, he congratulated me on playing “excellent religious” music. I had Oscar Peterson playing his composition “Hymn to Freedom”, an ode he wrote for the freedom marchers in the 1960s. With such an introduction, I had no choice in my mind but to offer a large contribution to his church.
Listen to Oscar Peterson playing his composition in Denmark, in 1964.
The other memory took me back to when we went to listen to Oscar Peterson playing at Norfolk State College in 1973. Oscar gave a rousing concert with mostly spirituals, and the audience was rocking along with his playing. We may have been the only white folks in the audience that I found a bit eery but in those days there was still much segregation by skin color and this was a black college.
Beau drew a mixed audience in Ottawa. A large percentage of the people were black and their enthusiasm showed in the tapping, stomping, and singing along with many of the songs. It was an appreciative audience and I also could not help myself but start stomping with my feet. My neighbor was swaying from left to right, nudging me constantly. Some in the audience jumped onto the floor and danced while others stood up and clapped to the sound of well-known songs like “Hound Dog”, popularized by Elvis Presley in 1956, but originally recorded by “Big Mama” Thornton in 1952. As Beau explained, many famous songs originated from black people but were popularized by white folks.
Listen to the first recording of the song by Big Mama Thornton in 1952.
Throughout the meticulously curated show, Beau engaged the audience with his charm and infectious energy. And his singers not only performed well-known songs but also talked about black Canadians’ contributions to our society, such as Viola Desmond, a civil rights activist from Nova Scotia; Lincoln Alexander, the first black member of Parliament and Lieutenant Governor of Ontario; Drake, the rapper, Michaelle Jean, previous Governor General of Canada.
One highlight of the program was when Beau’s singers performed “Lift Every Voice and Sing”, which is the hymn of black people; a song I have not heard before. The audience responded by standing up and singing along with the band; it was a highly emotional experience.
Listen to the hymn performed by the Amanah AME Zion Church choir, from Knightdale, NC, in 2022.
Although I went to hear my favorite music and I was not disappointed, I learned much about the contribution black culture made to Canadian society.
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